lationships within the band were at an all-time low; their four Winnebagos parked in a circle, the doors facing away from the centre. Waters used his own vehicle to arrive at the venue and stayed in different hotels from the rest of the band. Wright returned as a paid musician and was the only one of the four to profit from the venture, which lost about $600,000.[163]The Wall concept also spawned a film, the original idea for which was to be a combination of live concert footage and animated scenes. However, the concert footage proved impractical to film. Alan Parker agreed to direct and took a different approach. The animated sequences would remain, but scenes would be acted by professional actors with no dialogue. Waters was screen-tested, but quickly discarded and they asked Bob Geldof to accept the role of Pink. Geldof was initially dismissive, condemning The Wall's storyline as "bollocks".[164] Eventually won over by the prospect of participation in a significant film and receiving a large payment for his work, Geldof agreed.[165][nb 37] Screened at the Cannes Film Festival in May 1982,polo ralph lauren pas cher, Pink Floyd—The Wall premièred in the UK in July 1982.[166][nb 38] The Final CutMain article: The Final Cut (album)In 1982,ralph lauren big pony, Waters suggested a new musical project for the band, with the working title Spare Bricks,polo ralph lauren homme, originally conceived as the soundtrack album for Pink Floyd The Wall; however, with the onset of the Falklands War, Waters changed artistic direction and began writing new material. Waters saw Margaret Thatcher's response to the invasion of the Falklands as jingoistic and unnecessary, and he dedicated the new album to his late father. Immediately there were arguments between Waters and Gilmour, who felt that the album should include all new material, rather than recycling a number of songs passed over for The Wall. Waters felt that Gilmour had contributed little to the band's lyrical repertoire.[167] Michael Kamen, a contributor to the orchestral arrangements of The Wall, mediated between the two, also performing the role traditionally occupied by the then absent Wright.[168][nb 39] The tension within the band grew. Waters and Gilmour worked independently; however, Gilmour began to feel the strain, sometimes barely maintaining his composure. After a final confrontation, Gilmour's name disappeared from the credit list, reflecting what Waters felt was his lack of songwriting contributions.[170][nb 40]Though Mason's musical contributions were minimal, he stayed busy recording sound effects for an experimental Holophonic system to be used on the album. With marital problems of his own, he remained a distant figure. Pink Floyd did not use Thorgerson for the cover design, Waters choosing to design the cover himself.[171][nb 41] Released in March 1983, The Final Cut went straight to number one in the UK and number six in the US.[172] Waters wrote all the lyrics, as well as all the music on the album.[173] Gilmour did not have any material ready for the album and asked Waters to delay the recording until he could write some s Related articles:

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