finally bagged a contract for recording two singles with the newly-created A M Records label with Leonard Grant as their manager. It was at this time that musical relationships had also been struck with members of Rising Sons who would later feature in the band's recordings. The A M deal also brought some contention between members of the band, torn between a career as an experimental 'pop' group and that of a purist blues band. Working with young producer David Gates also opened up horizons for Vliet's skills as a poet-cum-lyricist, with his "Who Do You Think You're Fooling" on the flipside of the band's first single, a cover of the Ellas McDaniel/Willie Dixon-penned hit, "Diddy Wah Diddy". Fate and circumstance, not for the first time, would befall the band's success upon its release – which coincided with a singles cover of the same song by The Remains.[125] The initial line-up of the Magic Band that entered the studio for the A M recordings was not that which emerged by the second release, "Moonchild",t shirt ralph lauren, also backed by a Vliet-penned number, "Frying Pan". A 12" vinyl 45rpm mono EP was later released in 1987, with the four tracks of the two singles, plus "Here I Am, I Always Am" as a fifth previously unreleased song. This release was titled The Legendary A M Sessions, with a red-marbled cover and (later) members Moon, Blakely, Vliet, Snouffer and Handley seated in a 'temperance dance band' photo-pose,sacs longchamps pas cher.The original Magic Band was primarily a rhythm and blues band, led by local Lancaster guitarist Alexis Snouffer, along with Doug Moon (guitar), Jerry Handley (bass), and Vic Mortenson (drums), the last being rotated with and finally replaced by Paul Blakely, known as 'P.G. Blakely'. For the first A M recording Mortenson had been called up for active service and Snouffer stood in on drums, with a recently recruited Richard Hepner taking up the guitar role,survetement ralph lauren. By the time the single was aired on a pop television show P.G. Blakely was back in the drum seat. He then left for a career in television and was replaced by John French by the time the band cut their first album, as the first release on the new Buddah Records label.Personnel in the Magic Band for Beefheart's first album, Safe as Milk, were Alex St. Clair, Jerry Handley and John French. Earlier meetings with the Rising Sons had also secured them the guitar and arranging skills of Ry Cooder, which also brought about input from Taj Mahal on percussion and guitar work from Cooder's brother-in-law Russ Titelman. Further guests to this line-up included Milt Holland on percussion and the all-important and controversial theremin work on Electricity by Dr Samuel Hoffman. It was perhaps this track, above the others, which caused A M to view the band as 'unsuitable' for their label with what was seen as weird and too psychedelic for popular consumption. Thus, this album was recorded for Buddah, with the band signed to Kama Sutra, which left them close to penniless after extricating themselves from A M. A large proportion of the tracks on this album were co-written with Van Vl Related articles:

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